There are many ways to work alongside an artist or a band... Here are three stories that show how I do it in practice.

Story 01

From Demo
to Single

Music Production — Coffee & Dreams

It all started when I received this acoustic demo from a Belgian singer.

Demo 1:00

We talked a lot about music.

I suggested changing the tempo and the key, then started building around the song: a beat, different textures...

I told the artist that I could hear a choir and a spoken-word section in that song.

So we built the choir entirely from her own voice.

She trusted me.

And here’s where that song took us.

Final 1:20
Coffee & Dreams

Story 02

From Rehearsal
to Stage

Live Coaching — Screaming Fields

Every year, eight bands are selected to take part in the Screaming Fields Festival (Luxembourg).

Before they take the stage, I spend time with each of them in rehearsal.

We work on artistic presence, song transitions, the dynamics of the set... but above all, on how each band can perform without losing what makes them unique.

A few hours to observe, experiment, adjust... and sometimes question everything.

Screaming Fields rehearsal Screaming Fields final rehearsal

And then... Showtime!

At the end of the festival, one band is selected for a year-long accelerator programme: live coaching, songwriting workshops, vocal lessons and personalised support throughout the development of their project.

The next year, that band returns to Screaming Fields... this time as a headliner.

Story 03

Six Months
Together

Mentoring Programme — Proweekend Campus

In 2025, I worked alongside four artists and bands from the Netherlands, Germany, Spain and Scotland as part of a European mentoring programme.

Every week, we met online to talk about their songs, their projects, their questions... and sometimes simply to figure out what the next step should be.

A few months later, we all met in Spain.

I designed and coordinated a songwriting camp in a professional recording studio, alongside mentoring and live coaching sessions.

I imagined this programme around a simple idea: bringing together the expertise the artists would need throughout those six months.

Three other international professionals joined me to assist with the project, each bringing their own expertise: management, publishing and digital marketing.

And this is what it looked like.